UIHistories Project: A History of the University of Illinois by Kalev Leetaru
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Repository: UIHistories Project: Course Catalog - 1896-1897 [PAGE 135]

Caption: Course Catalog - 1896-1897
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103. Metallic Skeleton Buildings, 1, 2, or 3 credits. 104. Fire-resisting and fire-proof Buildings, 1, 2, or 3 credits. 105. Sanitation of Public and Semi-public Buildings, 1, 2, or 3 credits. 106. Researches on the Evolution of Architectural Styles, 1, 2, or 3 credits. 107. Higher Application of Graphic Statics, 1, 2, or 3 credits. 108. Heating and Ventilation of Large Buildings, 1, 2, or 3 credits, log. Higher Studies in Architectural Design, 1, 2, or 3 credits, n o . Researches and Experiments in Applied Esthetics, 1, 2, or 3 credits. i n . Translation of an Approved Technical Architectural Work from the French or German, 1, 2, or 3 credits. Secondary 112. Stereotomy Applied to American Problems, 1 credit. 113. Examinations of Heating and Ventilation of Buildings, 1,2, or 3 credits. 114. Higher Workshop Practice, 1 credit. 115. Photography for Architects, 1 credit. 116. Methods of Reproducing Drawings, Specifications, etc., for Architects, 1 credit. 117. Higher Problems and Methods in Perspective, 1 or 2 credits. 118. Practice in Estimates, Specifications, etc., for Large Buildings, 1, 2, or 3 credits. 119. Higher Industrial Design, 1 or 2 credits. 120. Advanced Water-color Painting, 1 credit. 121. Study of Office Methods and Arrangements, 1 credit. 122. Any primary offered in the College of Engineering, 1 credit. 123. Indexing and Classification of Periodicals, Books, Data, and Technical Information for Architects and Engineers.

ART AND DESIGN

1. FREE-HAND DRAWING.—Lectures on free-hand perspective and practice in drawing geometric solids. Principles applied by drawing groups of common objects, as books, vases, chairs, tables, etc., casts of ornament; interiors, as the corner of the room; plants and flowers from nature. Frederick's Notes on Free-Hand Drawing. Fall, zv/i/ler, and sfring terms, full study. Mr. LAKE. 2. CHIAROSCURO.—Study of chiaroscuro in charcoal, crayon, ink, pencil, and water color (monochrome) of geometric solids, still-life, casts of ornament, details of the human face and animal forms. Working