UIHistories Project: A History of the University of Illinois by Kalev Leetaru
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Repository: UIHistories Project: Course Catalog - 1899-1900 [PAGE 248]

Caption: Course Catalog - 1899-1900
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246

GENERAL DESCRIPTION OF COURSES

and romantic, both of the older and the more modern schools. (17

in all.) Professor JONES. 4. a and b. COURSE FOR THE ORGAN.—Similar preparatory and

collegiate courses for the organ will be offered for any one caring to make this the principal instrument. Professor JONES.

5. COURSE FOR THE VOICE.—(a) Preparatory. The placing of

the voice and proper position of the mouth and throat. Randegger's Singing. The first fifteen of the Fifty Concpne Studies. Simple songs for rhythm, accent, #and proper pronunciation of words. (b) Collegiate. First Year: Voice production, Randegger's Singing continued. All the Fifty Condone Studies. Songs of Mendelssohn, Schubert, and those of good modern composers. (10

in all.)

Second Year: Voice production. Viardot-Garcia's Hour of Study. Book I for technical work. Twenty-five and Fifteen Congone Studies for soprano and tenor and the Forty Congone for alto and bass. Songs of German, French, and English composers, and simple selections from operas and oratorios. (13 in all.) Third Year: Voice production. Viardot-Garcia's Hour of Study, Book II. Bordigni's Thirty-six Studies for soprano or tenor, its equivalent, Sieber or Bordese for alto or bass. Selections from oratorios and from French, German, and Italian operas. Songs of considerable difficulty by German, English, French, and Italian composers. (17 in all.) Fourth Year: Voice production. The Twenty-four Panofira Studies. Liitgen's Operavocalisen, Book II. Italian, French, German, and English songs of all standard composers. Solos and concerted work from the modern as well as the standard operas and oratorios. (17 in all.) Miss FERNIE. 6. COURSE FOR THE VIOLIN.— (a) Preparatory. Violin methods by Hermann, Kayser, Sitt, Mazas, etc. Schradieck's Technical Studies. Etudes by DeBeriot, Murts. Easy solos. (b) Collegiate. First Year: Etudes by Kreutzer, Mazas, Fiorillo, etc. Concertos by Viotti, Rode, Kreutzer, DeBeriot. Sonatas by Mozart, Beethoven, Handel, Gade. (10 in all.) Second Year: Etudes by Rode, Gavinies and Campagnoli. Concertos by Spohr, Bruch, Vieuxtemps, Molique, etc. Sonatas by Beethoven and Grieg. (13 in all.) Third Year: Caprices by Paganini. Concertos by Bruchj Mendelssohn, Saint Saens, Joachim. Ensemble work. (17 in all.)