Repository: UIHistories Project: Course Catalog - 1894-1895 [PAGE 105]

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GENERAL LIST OF SUBJECTS.

105

21. ARCHITECT'S ART COURSE 2, Optional.

First term. Modeling in clay details of human face; copy of cast of ornament; architectural ornament from photograph. Casts are made of one of the above and of one original design. Second term. Study of color as a means of interior and exterior decoration, at least one color scheme to be worked out, full size, in tempera colors. Third term. Work in water colors, groups and perspectives, or sketching from the antique. Sketching from nature in color. One day each week throughout the year is devoted to architectural rendering in pen and ink. Fall, winter, and spring terms; full study. Professor FREDERICK. Bequired: Architecture 20. ART AND DESIGN.

1. FOR SPECIAL STUDENTS OF ART AND DESIGN.

First year,firstterm. Lectures on free hand perspective and practice in drawing geometric solids. Principles applied by drawing groups of common objects, as books, vases, chairs, tables, etc., casts of ornament; interiors, as the corner of the room; plants and flowers from nature.

Frederick's Notes on Free Hand Drawing.,

Second term. Study of chiaroscuro in charcoal, crayon, ink, pencil, and water color (monochrome) of geometric solids, stilllife, casts, etc. Third term. Study of anatomy, using Duval's Artistic Anatomy as text-book, and drawing from Rimmer's Art Anatomy and Julien's Etudes D'Apres l'Antique. Also outline drawing from the antique figure, and shaded drawings in charcoal of details of the human figure and animal forms. During the year lectures are given on lettering, design, historic ornament, perspective and the theory of color. Students are required to submit one or more plates in each subject. Second year, first term. Modeling in clay (a) details of human face, (6) copy of cast of ornament, (c) ornament from photograph. Casts are made of (a) at least one modeled piece, (6) arm, hand or foot from nature, (c) foliage, fruit, or vegetable from nature. Second term. Painting in oil color: (a) study in monochrome from still-life; (6) group, as a study for composition and color.