UIHistories Project: A History of the University of Illinois by Kalev Leetaru
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Repository: UIHistories Project: Course Catalog - 1885 [PAGE 15]

Caption: Course Catalog - 1885
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Art Gallery.

17

mines, machinery for elevating and breaking ore, with furnaces and machinery for metallurgical processes.

AET GALLERY.

The University Art Gallery is one of the largest and finest in the West. It was the gift of citizens of Champaign and Urbana. It occupies a beautiful hall, 61x79 feet, and the large display of Art objects has surprised and delighted all visitors. In sculpture it embraces thirteen full-size casts of celebrated statues, including the Laocoon group, the Venus of Milo, etc., forty statues of reduced size, and a large number of busts, ancient and modern, bas reliefs, etc., making over 400 pieces. It includes also hundreds of large autotypes, photographs, and fine engravings, representing many of the great masterpieces of painting of nearly all the modern schools. Also a gallery of historical portraits, mostly large French lithographs of peculiar fineness, copied from the great national portrait galleries of France. The value of this splendid collection, as a means of education, is already showing itself in the work of the School of Drawing and Design of the University. Museum of Engineering and Architecture.—A large room is devoted to trie gathering of a museum of practical art, the materials for which have been constantly accumulating in the various schools of science. It will contain full lines of illustrations of the work of the shops; models made at the University or purchased abroad; drawings in all departments; patent-office models, etc.; samples of building materials, natural and artificial; with whatever may be secured that will teach or illustrate in this most important phase of University work. A notable feature of this collection is the gift of Henry Lord Gay, Architect, of Chicago. It consists of a model in plaster, and a complete set of drawings, of a competitive design for a monument to be erected in Rome, commemorative of Victer Emanuel, first King of Italy. The monument was to be of white marble, an elaborate gothic structure, beautifully ornamented, and 300 feet high. Its estimated cost was to have been seven and a quarter million of francs. The design was placed by the art committee second on a list of 289 competitors; but both the first and second were set aside for