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Caption: Course Catalog - 1896-1897
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MUSIC 181 Third: A course in fugue, two hours a week in class through two terms. Richter's Fugue. Fourth: A course in musical analysis which may be taken at the same time with the studies in counterpoint and fugue. The second, third, and fourth parts of this course are open only to advanced students showing special aptitude. Professor JONES. 3. COURSE FOR THE PIANO.—(a) Preparatory. This course is equivalent to three years' work. It includes formation and position of fingers, hands, wrists, and arms, properties of touch, principles of technique, thorough drill in scale and arpeggio playing, and exercises in accent, rhythm, and expression. Music used: Herz, Scales and Exercises; Loeschhorn, Op. 65, 66; Lemoine, Op. 37; Heller, Op. 45; Bertini, Op. 29, 32; Czerny, Op. 299, Bks. 1, 2; Bach's Little Preludes; also sonatinas and easier sonatas and compositions by Clementi, Kuhlau, Haydn, Mozart, Mendelssohn, Merkel, Dussek, Diabelli, Grieg, Bargiel, and others. (b) Collegiate. First year. Studies in development of technique: Czerny, Op. 299, Bks. 3, 4; Czerny, Octave Studies; Cramer, Etudes; Jensen, Etudes; Bach, Two-Voice Inventions and French Suites; Sonatas of Haydn and Mozart; easier Sonatas of Beethoven; Songs Without Words, Mendelssohn; Compositions (smaller works) of Beethoven, Chopin, Schubert, Raff, Grieg, Chaminade, Moszkowski, and others. Second Year. Daily technique; Czerny, Op. 740; Bach, ThreeVoice Inventions and English Suites; Sonatas and other Compositions of Scarlatti, Beethoven, Schubert, Schumann, Mendelssohn, Weber, Raff, Rubinstein, St. Saens, Godard, MacDowell, and others. Third Year. Selections: Clementi, Gradus ad Parnassum; Moscheles, Op. 70; Kullak, Seven-Octave Studies, Bk. 2; Bach, WellTempered Clavichord; Sonatas and Concertos by Mendelssohn, Weber, Beethoven, Hummel, Brahms, etc.; selections from works of Bach, Chopin, Schubert, Schumann, Brassin, Rubinstein, Liszt, Moszkowski, Scharwenka, and other modern composers. Fourth Year. Selections: Octave Studies; Clementi, Gradus, continued; Bach, Well-Tempered Clavichord, continued; Chopin, Etudes; Henselt, Etudes; Rubinstein, Etudes; Sonatas by Beethoven, and Concertos and other Compositions by the great masters, classic and romantic, both of the older and the more modern schools. Professor JONBS. 4. COURSK FOR THE ORGAN. —A similar preparatory and collegiate course for the organ will be offered for any one caring to make this the principal instrument. Professor JONES.
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