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Caption: Course Catalog - 1895-1896
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142 GENERAL DESCRIPTIOH OF COURSES ART AND DESIGN 1. FREE-HAND DRAWING.—Lectures on free-hand per- spective and practice in drawing geometric solids. Principles applied by drawing groups of common objects, as books, vases, chairs, tables, etc., casts of ornament; interiors, as the corner of the room ; plants and flowers from nature. Frederick's Notes on Free-Hand Drawing. Fall, winter and spring terms, full study. Mr. LAKE. 2. CHIAROSCURO.—Study of chiaroscuro in charcoal, crayon, ink, pencil, and water color (monochrome) of geometric solids, still-life, casts of ornament, details of the human face and animal forms. Working Drawings of Ornament. Winter and spring terms, full study. Professor FREDERICK; and Mr. LAKE. Required: Art and Design 1. 3. ARTISTIC ANATOMY.—Artistic anatomy of the human figure. Drawing from Rimmer's Art Anatomy and Julien's fitudes d'Apres l'Antique. Outline drawing from the antique figure. DuvaVs Artistic Anatomy. Spring term, full study. Professor FREDERICK. Required: Art and Design 1, 2. 4. THE ANTIQUE.—Shaded drawings in charcoal or oil from the antique figure. Sketching from costumed model. Spring term, full study. Professor FREDERICK. Required: Art and Design 1, 2, 3. 5. PEW DRAWING.—Work with pen and ink arranged to suit the needs of students from all departments. Fall term, full study. Professor FREDERICK and Mr. LAKE. Required: Art and Design 1. 6. MODELING.—Modeling in clay (a) details of human face, (b) copy of cast of ornament, (c) ornament from photograph. Casts are made of (a) at least one modeled piece, (b) arm, hand,or foot from nature, (c) foliage, fruit, or vegetable from nature. Fall term, full studg. Professor FREDERICK. Required: Art and Design 1, 2. 7. ADVANCED MODELING.—Modeling: (a) bas relief from antique figure, (b) anatomical rendering of an antique figure, (c) bust from the antique, (d) portrait head from nature in the
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